Romeo and Juliet Act 4 Scene 1

Artistic research, Graduation projects

The last project I did at the Netherlands Film Academy was this photograph. We had to make a picture inspired by a text (could be a song, a poem, a few lines from a novel or theatre piece, or even a newspaper clip). I chose a specific scene from Romeo and Juliet by William Shakespeare, in which Juliet, distraught after the exile of Romeo and her coming marriage to Paris, goes to Friar Laurence for help. She is ready to die, but he offers her hope in the form of a vial containing poison. The contrast of those strong emotions was what I wanted to show.

I took more inspiration in the Pre Raphaelites movement for the form. They had a way to show the emotions of the characters in their painting in a beautiful and tragic light, while rendering the textures and colors with immense precision, which I find mesmerising. The clothes and setting are obviously not historically accurate for the quattrocento (when Romeo and Juliet should take place). I did this the same way as the Pre Raphaelites, as they took loose inspiration from legends and stories, and put a story in a beautiful setting.

The beautiful set location in this case is the Apotheek Museum in Maaseik, which I highly recommend visiting. The actress playing Juliet is Louise Verdoot, a long-standing friend of mine, who’s also a talented graphic artist. And Friar Laurence was played by René Martin-Prevel. It was presented during the Keep An Eye Film Academy Festival 2019 in Amsterdam.


JULIET
Tell me not, friar, that thou hear’st of this,
Unless thou tell me how I may prevent it:
If, in thy wisdom, thou canst give no help,
Do thou but call my resolution wise,
And with this knife I’ll help it presently.
God join’d my heart and Romeo’s, thou our hands;
And ere this hand, by thee to Romeo seal’d,
Shall be the label to another deed,
Or my true heart with treacherous revolt
Turn to another, this shall slay them both:
Therefore, out of thy long-experienced time,
Give me some present counsel, or, behold,
‘Twixt my extremes and me this bloody knife
Shall play the umpire, arbitrating that
Which the commission of thy years and art
Could to no issue of true honour bring.
Be not so long to speak; I long to die,
If what thou speak’st speak not of remedy.

FRIAR LAURENCE
Hold, daughter: I do spy a kind of hope,
Which craves as desperate an execution.
As that is desperate which we would prevent.
If, rather than to marry County Paris,
Thou hast the strength of will to slay thyself,
Then is it likely thou wilt undertake
A thing like death to chide away this shame,
That copest with death himself to scape from it:
And, if thou darest, I’ll give thee remedy.

Designing the cathedral from “The Pillars of the Earth”

Artistic research, Portfolio

In my third year at the Netherlands Film Academy, we had 5 weeks to research whatever interested us. I had long loved the book series “The Pillars of the Earth”, “A World without End” and “A Column of Fire” written by Ken Follett. It was actually part of the reason why I wanted to study architecture and engineering back when I was younger. Especially in the first book, the description of how three different builders (no such thing as an architect back then) imagined the cathedral of fictional Kingsbridge, struck me for its poetry and accuracy, without ever feeling like reading a history book. Afterwards, I fell in love with the tv series, based on the two first books, but the books were still my favorites.

As a Production Designer, it felt really interesting to study a building that is fictional but really accurately described in a book. I wanted to study other churches from around the same period and area to see what could have been. Since there were 3 different builders designing and changing this cathedral over a whole century, it seemed relevant to imagine what these designs would look like, what they would have in common and what would be different, following the storyline and the personalities of each character.

Here’s the power point presentation I made back then, explaining the different steps of my research, from the books to the proportions of the designs, through the research in real locations for historical accuracy (sorry it’s in Dutch) : ontwerpen-2-celeste-coupez.pdf

El Muerto

Graduation projects, Portfolio

For this western graduation film, I wasn’t the production designer (Klaudia Schenkels) or art director (Henk Pol), but I helped where I could, doing research about that time (around 1850-1855) and helping setting up some sets (amongst which a house and a camp in the wilderness).

The Underground

Graduation projects, Portfolio

“The Underground” was my graduation film. It is a 15 min long, sort of sci-fi film taking place in tunnels under the city of Amsterdam. There, according to this story, lives a large community of misfits and outlaws since the 70s-80s. Amongst them, the Reinhardt family, composed of the strong mother, her three sons and one daughter. The youngest son, Napoleon, has a form of autism that separates him from his family. He sees patterns in everything, even in how people act. However, his family doesn’t realise what a fantastic tool he could be against their feuding clan, as they believe him to just be strange and simple-minded. That is until they bring Rosa into their circle to find the feuding clan after their latest robbery. Will she get Napoleon’s and his family’s trust ? And will they be able to get their revenge?

This film was quite the challenge to make. We filmed everything in a set that my team built in school’s big studio (as in 1 studio for 4 different locations). I started designing the look of this film around mid-September and we shot during 8 half-days at the beginning of December 2018. So everything had to go quite fast. I was both Production Designer and Art Director for this film, but luckily I had an amazing team to help me. Henk Pol was construction manager, Milou Wegbrans was costume designer and Annika Lelieveld was set dresser.

The Director was Max Everett, whose brother also has a form of autism (although quite different from that of Napoleon). He therefore understood the dynamics surrounding such a character. The Director of Photography was David Koster, with whom I had worked a few times already, so it was nice knowing what to expect of each other.

As a preview, here are some stills of the film, followed by pictures on set and moodboards. The full film is still in the post production fase and will premiere in July 2019 during the Keep an Eye Filmacademie Festival in the Eye Film Instituut in Amsterdam.

Here’s the stopmotion video of the building of the set


Stills


Set pictures


Moodboards

Filmography:

Short films

Commercials


    History:

    • 2018 (May – August) Internship (overall assistent production) – 87seconds The Video Content Agency Belgium – website
    • July 2017 Sells (placing and selling bakery goods) – L’atelier de Séraphine Bakery – facebook page
    • 2015 – 2016 Student Job (selling tickets and food, cleaning and hosting) – Pathé City Amsterdam – website
    • 2012 – 2016 Student Job (helping with FR-NL-EN translations, accounting and moving the office) – Bureau Coupez Architect & Associés – website

    • 2015 – 2019 Production Design – Netherlands Film Academy (NFA) Amsterdamse Hogeschool voor de Kunsten (AHK) – Propedeuse + Bachelor – website
    • 2014 – 2015 Architecture – Université Libre de Bruxelles (ULB) La Cambre – Horta – Bachelor 1 – website
    • 2013 – 2014 Civil engineering and architecture – Vrije Universiteit Brussel (VUB) – Bachelor 1 – website

    • 2007 – 2013 Secondary school (Math & Science, English immersion) – Collège Saint-Hubert – CESS (Certificat d’enseignement secondaire superieur) – website
    • 2011 (August – December) Intercultural exchange in the Netherlands – Program: AFS website – School: Het Assink Lyceum website
    • 2000 – 2007 Primary school – Ecole Notre-Dame La Hulpe – CEB (Certificat d’Enseignement de Base) – website
    • 24.10.1995 Born in Ixelles (Brussels, Belgium)

        • Main assets:

          • French, Dutch & English fluent both written en spoken (French is my mother-tongue)
          • European driving license type B (since August 2015, comfortable driving all types of trucks in all kinds of weather)
          • Organisational & research skills
          • Knowledge in the daily use of Microsoft Office, iWork and social networks, basic knowledge of VPython, SketchUp, Lightroom, Picasa, Photoshop and Adobe Première Pro and quick learning of new programs
          • Benjamin secouriste (First Aid knowledge)

              • Hobbies:

                • Drawing & painting (mostly self-taught)
                • DIY, sewing & craft (latest big project was a corset and long skirt)
                • Make-up (not professional)
                • Writing fiction (many novels started but never finished)
                • Music (2001 – 2014) music theory, choir singing, solo singing, transverse flute
                • Dance (1998 – 2010) classical, jazz, hip-hop, funk, aerial dance
                • Theater (amongst which school project “The taming of the shrew”, where I played Bianca and designed the set and costumes in 2015)
                • Martial arts Kendo, self-defense, archery
                • Horse riding (only the basics)
                • Scouting (2002 – 2015) both as a participant and then as a chieftain/cook
Uncategorized

Besix vlog 2

Commercials, Portfolio

During my internship at 87seconds, I was lucky to be sent to Paris to interview a Flemish engineer architect (who coincidentally had also studied at the VUB) working for Besix. What was also super interesting was that she was the only woman on that site, and she lead a big group of men. We had a small team with a cameraman, a director, an assistant producer and me (who mostly interviewed her).

Hogent rebranding

Commercials, Short Film

The Hogeschool Gent (HoGent) wanted a rebranding video and asked 87seconds to help. On this project, I was both set dresser when needed and production assistent. We shot throughout Ghent with the goal to show another side of Ghent and of its University. We used actual students, professors and employees of HoGent as actors and had them read out a poem from a local writer.

Couleur Café Aftermovie

Commercials, Portfolio

During the summer of 2018, I co-directed this aftermovie with Cato Kusters as a part of my internship at 87seconds. Couleur Café is an alternative, family-friendly, world-music festival taking place every summer in the parc next to the Atomium, this iconic Belgian monument. 87seconds had already made the previous aftermovie, so Couleur Café asked them again. In turn, 87seconds trusted me and Cato to direct three different camera teams throughout the festival (3 days long). We actually had to make one film for Friday, one for Saturday and one for the whole festival. It was an amazing experience, with tons of great artists and quite a bit of sun.

Besix vlog 1

Commercials, Portfolio

During my internship at 87seconds, one of the first projects I took part in was this vlog-like presentation video of one of Besix’s employees. This was the first of a series of videos, meant to show all the different kinds of works and people working for Besix. We shot it in Belgium, in the natural areas around Namur and at the HQ of Besix in Brussels. In this instance, I was location scout, production assistent and make-up artist. Besix was quite satisfied with the result, and therefore asked 87seconds to make the other videos as well, going to other countries as well (France, United Arab Emirates, …). Unfortunately I only got to make one more video before my internship ended.