Romeo and Juliet Act 4 Scene 1

Artistic research, Graduation projects

The last project I did at the Netherlands Film Academy was this photograph. We had to make a picture inspired by a text (could be a song, a poem, a few lines from a novel or theatre piece, or even a newspaper clip). I chose a specific scene from Romeo and Juliet by William Shakespeare, in which Juliet, distraught after the exile of Romeo and her coming marriage to Paris, goes to Friar Laurence for help. She is ready to die, but he offers her hope in the form of a vial containing poison. The contrast of those strong emotions was what I wanted to show.

I took more inspiration in the Pre Raphaelites movement for the form. They had a way to show the emotions of the characters in their painting in a beautiful and tragic light, while rendering the textures and colors with immense precision, which I find mesmerising. The clothes and setting are obviously not historically accurate for the quattrocento (when Romeo and Juliet should take place). I did this the same way as the Pre Raphaelites, as they took loose inspiration from legends and stories, and put a story in a beautiful setting.

The beautiful set location in this case is the Apotheek Museum in Maaseik, which I highly recommend visiting. The actress playing Juliet is Louise Verdoot, a long-standing friend of mine, who’s also a talented graphic artist. And Friar Laurence was played by René Martin-Prevel. It was presented during the Keep An Eye Film Academy Festival 2019 in Amsterdam.


JULIET
Tell me not, friar, that thou hear’st of this,
Unless thou tell me how I may prevent it:
If, in thy wisdom, thou canst give no help,
Do thou but call my resolution wise,
And with this knife I’ll help it presently.
God join’d my heart and Romeo’s, thou our hands;
And ere this hand, by thee to Romeo seal’d,
Shall be the label to another deed,
Or my true heart with treacherous revolt
Turn to another, this shall slay them both:
Therefore, out of thy long-experienced time,
Give me some present counsel, or, behold,
‘Twixt my extremes and me this bloody knife
Shall play the umpire, arbitrating that
Which the commission of thy years and art
Could to no issue of true honour bring.
Be not so long to speak; I long to die,
If what thou speak’st speak not of remedy.

FRIAR LAURENCE
Hold, daughter: I do spy a kind of hope,
Which craves as desperate an execution.
As that is desperate which we would prevent.
If, rather than to marry County Paris,
Thou hast the strength of will to slay thyself,
Then is it likely thou wilt undertake
A thing like death to chide away this shame,
That copest with death himself to scape from it:
And, if thou darest, I’ll give thee remedy.

Designing the cathedral from “The Pillars of the Earth”

Artistic research, Portfolio

In my third year at the Netherlands Film Academy, we had 5 weeks to research whatever interested us. I had long loved the book series “The Pillars of the Earth”, “A World without End” and “A Column of Fire” written by Ken Follett. It was actually part of the reason why I wanted to study architecture and engineering back when I was younger. Especially in the first book, the description of how three different builders (no such thing as an architect back then) imagined the cathedral of fictional Kingsbridge, struck me for its poetry and accuracy, without ever feeling like reading a history book. Afterwards, I fell in love with the tv series, based on the two first books, but the books were still my favorites.

As a Production Designer, it felt really interesting to study a building that is fictional but really accurately described in a book. I wanted to study other churches from around the same period and area to see what could have been. Since there were 3 different builders designing and changing this cathedral over a whole century, it seemed relevant to imagine what these designs would look like, what they would have in common and what would be different, following the storyline and the personalities of each character.

Here’s the power point presentation I made back then, explaining the different steps of my research, from the books to the proportions of the designs, through the research in real locations for historical accuracy (sorry it’s in Dutch) : ontwerpen-2-celeste-coupez.pdf

Avatar mask

Artistic research, Portfolio

In my third year at the Film Academy, I made an Avatar mask for myself as a part of an exercise for school. I got a mold of my face and then went on to sculpt the desired mask over it. Once the mask was made (out of rubber) I got to decorate it. I added a wig (with feathers and braids in it), eyes (made of halved and painted skippy ball) and eyelashes. Then I went on to get photographed in it wearing a necklace and body paint. I finally asked my friend Anouk Regensburg to add the background in Photoshop.

Moving looping styleframe

Artistic research, Portfolio

This was an exercise I made with Anouk Regensburg (studying vfx in my year). We had to make a loop and imagine a world that excited us. The background (stars) and the frame were made by hand by me and she made the animation and added the jellyfishes and the lighting.

Populaire poster

Artistic research, Portfolio

In my first year at the Film Academy, I made an adaptation of a film poster in Photoshop (though every element of the poster actually got photographed). The film, “Populaire” is a 2012 French movie that takes place in 1958.

Antithèse

Architecture, Artistic research, Portfolio

The first film I ever made. Based on the film “Wings of Desire” of Wim Wenders, we had to take a single concept evoked in the film and make a short film about it. We chose the concept of antithesis, the opposing forces that play out throughout the film (humans and angels, mortals and immortals, black and white and colors, good and evil, …). This was also part of my architecture course at La Cambre – Horta.