For my bachelor thesis, I had the choice to present my research in any way I thought relevant. I picked the form of a short video, the kind which can be found on YouTube, to present it. It would therefore be spoken in English, the universal language of the internet, in order to reach out to as many people as possible.
As for my theme, it came naturally. Architecture has always been a part of my life, and I thought it was too bad people didn’t seem to realise how emotional it could be. In my opinion, architecture is a medium just as emotional as music, and should be used as such more often in films. So I showed examples of science-fiction films (one of my favourite genres) that did just that.
“The Underground” was my graduation film. It is a 15 min long, sort of sci-fi film taking place in tunnels under the city of Amsterdam. There, according to this story, lives a large community of misfits and outlaws since the 70s-80s. Amongst them, the Reinhardt family, composed of the strong mother, her three sons and one daughter. The youngest son, Napoleon, has a form of autism that separates him from his family. He sees patterns in everything, even in how people act. However, his family doesn’t realise what a fantastic tool he could be against their feuding clan, as they believe him to just be strange and simple-minded. That is until they bring Rosa into their circle to find the feuding clan after their latest robbery. Will she get Napoleon’s and his family’s trust ? And will they be able to get their revenge?
This film was quite the challenge to make. We filmed everything in a set that my team built in school’s big studio (as in 1 studio for 4 different locations). I started designing the look of this film around mid-September and we shot during 8 half-days at the beginning of December 2018. So everything had to go quite fast. I was both Production Designer and Art Director for this film, but luckily I had an amazing team to help me. Henk Pol was construction manager, Milou Wegbrans was costume designer and Annika Lelieveld was set dresser.
The Director was Max Everett, whose brother also has a form of autism (although quite different from that of Napoleon). He therefore understood the dynamics surrounding such a character. The Director of Photography was David Koster, with whom I had worked a few times already, so it was nice knowing what to expect of each other.
As a preview, here are some stills of the film, followed by pictures on set and moodboards. The full film is still in the post production fase and will premiere in July 2019 during the Keep an Eye Filmacademie Festival in the Eye Film Instituut in Amsterdam.
In my second year at the Film Academy, I was an assistant for this sci-fi, zombie film shot on location. I helped with the costumes, with the set dressing and I experimented with the make-up (think big tears, zombie bites and a lot of blood).
During my first year at the Film Academy (2015-2016), I made a science-fiction film with the same director (Max Everett) that would direct my graduation film. We had no budget whatsoever, just the props and clothes we could find at school and the talent of our vfx artists. Still, we managed to make a spaceship.